Mike Jeffers Audio Experience

Episode 044 Chicago Music Revealed with special guest Toronzo Cannon

Chicago bluesman Toronzo Cannon defies all expectations. The blistering guitarist, soulful vocalist, singular songwriter and city bus driver fuses his muscular, rock-inspired blues guitar playing with his original, keenly detailed slice-of-life songs, blazing his own blues trail. With the 2016 release of his Alligator Records debut, The Chicago Way, Cannon burst onto the international stage as one the most electrifying bluesmen to emerge from Chicago in decades. His live performances unfailingly earn him heaps of critical praise and hordes of wildly enthusiastic fans. Cannon has played major cities all over the U.S., Canada, and Europe. He recently performed for the first time in Japan, delighting and surprising audiences with one unforgettable gig after another. Now, with the release of The Preacher, The Politician Or The Pimp, Cannon builds upon the foundation he's laid, creating and defining his vision of contemporary blues.

The Preacher, The Politician Or The Pimp features twelve Cannon originals, ranging from the burning social commentary of the title track to the wryly told, up-to-the-minute truths of Insurance to the trademark Cannon humor of Stop Me When I'm Lying and Ordinary Woman. He gets serious on the haunting The First 24, the Martin Luther King-inspired The Silence Of My Friends and on the moving final track, I'm Not Scared. Cannon's blazing guitar and soul-baring vocals are front and center. His songwriting is inspired by his deep Chicago roots, the wisdom of his grandparents and his years of observing the public while driving a bus. His songs tell timeless stories of common experiences in uncommon ways. 

"It's not about the solos," Cannon says, "It's about the songs. People get used to everyday life, so it's easy to miss the things around them. I write about those things. I know the problems of Chicago, the hardship, 'cause we're always a scapegoat. But I choose to love and respect the city because of the Chicago blues giants that came here from down south. I'm proud to be standing on the shoulders of every great Chicago blues musician who came before me." 

Toronzo Cannon was born in the Windy City on February 14, 1968, and grew up in the shadows of the notoriously tough Robert Taylor Homes. Theresa's Lounge, one of the city's most famous South Side blues clubs, was nearby. As a child, Cannon would stand on the sidewalk outside the door, soaking up the live blues pouring out while trying to sneak a glance inside at larger-than-life bluesmen like Junior Wells and Buddy Guy. He also heard plenty of blues growing up in his grandfather's home, and listened to soul, R&B and contemporary rock on the radio. 

Cannon bought his first guitar at age 22, and his natural talent enabled him to quickly master the instrument. Although his initial focus was reggae, he found himself increasingly drawn to the blues. "It was dormant in me. But when I started playing the blues, I found my voice and the blues came pouring out." He absorbed sounds, styles and licks from Buddy Guy, Albert Collins, Hound Dog Taylor, B.B. King, Albert King, Freddie King, Jimi Hendrix, J.B. Hutto, Lil' Ed and others. Although influenced by many, Cannon's biting, stinging guitar sound is all his own.

Cannon began his rise in the intensely competitive proving ground of the local club scene, where only the best musicians reach the top. Iconic blues artists from Muddy Waters to Howlin' Wolf to Koko Taylor to Hound Dog Taylor to Luther Allison all paid their dues in the Chicago blues bars before making their mark on the world. The same holds true today, as newcomers look to living legends like Buddy Guy, Jimmy Johnson and Lil' Ed Williams for inspiration in taking their music from Chicago to fans across the globe. 

From 1996 through 2002, Cannon played as a sideman for Tommy McCracken, Wayne Baker Brooks, L.V. Banks and Joanna Connor. But he was determined to prove himself. In 2001, while continuing to work as a hired-gun guitarist, he formed his own band, The Cannonball Express. By 2003, he was working exclusively as a band leader. Cannon's first three albums—2007's My Woman (self-released), 2011's Leaving Mood (Delmark) and 2013's Blues Music Award-nominated John The Conqueror Root (Delmark)—document his rise from promising up-and-comer to star-in-the-making.

Almost immediately upon the release of The Chicago Way, Chicago media helped launch Cannon toward blues stardom. He was the subject of multiple newspaper and magazine feature stories and appeared on every local television station. National and international media soon took notice. CNN filmed Cannon leading a tour of Chicago blues clubs and then broadcast the piece around the world. England's MOJO magazine declared The Chicago Way the #1 Blues Album Of 2016, as did the readers of Living Blues magazine in their annual poll. The album and Cannon were also nominated for four Blues Music Awards (the Grammy of the blues) in 2017. And the world champion Chicago Cubs invited Cannon to throw out the ceremonial first pitch of the September 13, 2017 game. All the attention only makes Cannon more focused. "I feel like I've become an ambassador for Chicago blues. People expect a lot from me," he says. "But it's good, because I'm forced to keep upping my game."

Cannon has played the Chicago Blues Festival on ten separate occasions, initially as a sideman, then as a special guest, a sidestage band leader and finally as a main stage headliner. When he's home, he drives a Chicago Transit Authority bus by day and performs by night. Using every vacation day and day off and working four ten-hour shifts a week, Cannon arranges his schedule to gig out of town as much as possible. It isn't easy, but, like all of the Chicago greats who have come before him, blues is his calling. Blues Music Magazine declares, "His guitar playing has all the fire and spontaneity of the Chicago legends he carries; his songwriting is a timely and original look at the world he sees by day on a bus and in blues clubs by night, and his assertive voice is the perfect vehicle to deliver the message." 

Now, with The Preacher, The Politician Or The Pimp, Toronzo Cannon delivers his messages loud and clear. Between his searing chops, soul-satisfying vocals and vibrant and distinctive original songs, Cannon has grown from being a local attraction to become a world-renowned torch bearer for the blues. PBS Television's Chicago Tonight sums it up like this: "Cannon is just your typical CTA bus driver who moonlights as a sought-after Chicago blues musician. As a guitarist, singer and songwriter, he drives the sound of Chicago blues from the city to blues clubs and festivals around the world." 
 

Episode 043 Chicago Music Revealed with special guest Gordon Grdina

Juno award winning Oud/Guitarist with a unique sound combining mainstream jazz, free/improv and Arabic music. Haram, Peregrine Falls, The Gordon Grdina Quartet with Oscar Noriega, Russ Lossing, and Satoshi Takeishi, Nomad Trio w/ Matt Mitchell and Jim Black, Square Peg w/ Christian Lillinger, Mat Maneri and Shazad Ismaily The Marrow Mark Helias, Hank Roberts, Hamin Honari

042 Chicago Music Revealed with special guest Brandon Meeks

Brandon Meeks is seeking to redefine how Gary, Indiana is only known as the home of the Jackson Family. The independent bassist, producer, arranger, and beatmaker is gaining steam in the crowded world of Jazz, Hip-Hop and R&B by choosing to follow his own path and ignoring the allure of popular trends.

Meeks’ professionalism and dedication to the craft of making music brought him to the attention of Don Cheadle. Brandon was cast in Cheadle’s 2016 directorial debut film, Miles Ahead—a movie about iconic musician Miles Davis. Brandon worked directly with both Cheadle and jazz artist Robert Glasper during the film’s production. He was chosen to play the character of legendary bassist, Ron Carter.

Brandon’s skill as a jazz bassist was a major reason he was chosen to be in the film and this has allowed him to reach an entirely new fanbase. He is now taking full advantage of his good fortune and capitalizing on this moment by introducing people to all of the work he has done that allowed him to gain ground in the industry.

 

Before Brandon was featured in Miles Ahead, he’s held the role of primary producer for the Indianapolis based Hip-Hop band Native Sun. Native Sun has been compared to The Legendary Roots Crew due to their use of live instruments in their performances and recordings. During his time with the band,  Brandon has created 2 magnetically soulful albums plus a series of sharp, compelling videos that have earned the attention of influential cultural tastemakers such as AFROPUNK and Team Backpack.

His efforts to share Native Sun’s music and build his audience has resulted in over 500 thousand views, 10 thousand shares and over 1 million people reached around the globe. What’s more amazing is that he has done this while also managing the band’s social media, his own social media and website and the creation of content that has made his website one of the more active and engaging platforms in indie music.

Brandon’s work with Native Sun is bolstered by his work with noteworthy jazz and soul artists. He regularly plays bass with Rob Dixon, The JD Allen Trio, Zo! of The Foreign Exchange, Sy Smith, Nicole Henry and is a part of The William Menefield Trio. Meeks also holds residencies at famed and historic jazz clubs such as The Chatterbox (Indianapolis) and Greenwich Jazz Club (Cincinnati).

 

 

With all of this on his plate he continues to spend time sharing what he is working on with those interested. This has enabled him to create a brand that is conscientious.  Brandon listens to the people; which allows him to produce music that fuses thought provoking concepts with authentic, high-level musicianship and haunting melodies. His sound gives listeners an alternative to the current trends of mainstream music.

This mission has most recently led Meeks to release an album of lofi hip hop instrumentals entitled Talk Music and to create a series of online interactive concert videos called Family Room Live! Brandon is determined to give great music to people who have been forgotten about by the mainstream industrial music machine. He strives to be an inspiration to artists who aspire to be successful while remaining true to themselves.

 

 

The Future Is Now with Monica Staton and guest, pianist Alexis Lombre

Episode 001 of the Future is Now with Monica Staton and special guest pianist Alexis Lombre.

 

About Alexis Lombre
Alexis Lombre is a young jazz pianist who discovered early that the true essence of music is not just about what you hear but how music makes you feel. Her musical mission is to keep the ‘Soul’ in music alive. The 2017 release of her debut album, Southside Sounds, does just that, as it is a soulful reflection of her upbringing on Chicago’s Southside. This collection of her original compositions is an attempt to pay homage to the southside’s lively artistic, cultural heritage. In addition to her debut record, she was featured on Live The Spirit Residency Presents: “The Young Masters” (2016), and Mikel Patrick Avery’s “Music for a 1/2 Sized Piano” (2014).

Alexis has performed at some of jazz’s major venues and festivals in Chicago, Detroit, New York City, Newark, St. Louis and Kansas City. Most recently, she celebrated the release of her debut CD at Chicago’s historic Jazz Showcase. She has shared the stage with international renowned jazz musicians such as Ernest Dawkins, Ingrid Jensen, Kendrick Scott, James Carter, Marion Hayden, Gayelynn McKinney, Bobby Watson and, has studied with Geri Allen, Willie Pickens and former Jazz Messenger, Benny Green.
Alexis has also provided music for theater companies such as the Black Ensemble Theater ‘s “The Marvin Gaye Story”(2016),“Men of Soul” (2015), “At Last: A Tribute to Etta James” (2015) and “Sounds So Sweet (2016)” and Manual Cinemas “No Blue Memories: The Life of Gwendolyn Brooks” (2017).

Alexis strives to be an artist who always searches and rejoices at an opportunity to stretch her musical boundaries.

EPISODE 041 Chicago Music Revealed with guest Bobby Selvaggio

Mike Jeffers talking with special guest Bobby Selvaggio about his new release "Live at the Bop Stop".

 

About Bobby Selvaggio

 

Bobby Selvaggio is one of the leading alto saxophone voices on today's jazz scene.  In the words of pianist Kenny Werner, “Bobby is among the best of players out there,” and legendary saxophonist Joe Lovano praises Bobby by calling him “one of the few young saxophonists on the scene today that captures you with his strong presence, focus, and sound.”

 Bobby, who grew up in the Cleveland area, earned his Bachelor of Music in Music Performance from Kent State University.  He eventually moved to New York City and earned a master’s degree in jazz performance from the Manhattan School of Music. While in New York, Bobby studied with Joe Lovano, Bobby Watson, Dick Oatts, and Maria Schneider.

 After living in New York City and gigging around town at places like the Vanguard, Smalls, and Birdland for four years, Bobby decided to move back to Cleveland with his family. Northeast Ohio has become his home base of operations where Bobby has toured extensively throughout the US and Canada with various working ensembles and musicians. He has dedicated himself to keeping jazz alive in Cleveland and his passion for jazz education has led him to serve as Director of Jazz Studies at Kent State University.

 In addition to his work in jazz education, Bobby continues to expand his discography. His most recent recording is Quantum Man (Dot Time Records, 2016) which features a Jazz Quartet, String Quintet, Voice, and Percussion. As said by Downbeat (receiving 4 ½ stars): “Even at its most abstract, the highly textured, refreshingly unpredictable Quantum Man is persuasive and moving”. Quantum Man was also chosen “Best of 2017” by Downbeat. Follows is Short Stories (Origin Records, 2014) featuring Aaron Goldberg on the piano, Way of Being (Arabesque Records, 2013), Grass Roots Movement (Arabesque Records, 2011) featuring guitarist Nir Felder, and Modern Times (Arabesque Records, 2009).  Modern Times featured Kenny Werner on piano and Sean Jones on trumpet. Bobby’s Unspoken Dialogue (Playscape Recordings, 2007) featured Kenny Werner, as well as Jamey Haddad on drums, Ben Street on bass, and Paul Tynan on trumpet; all musicians Bobby has actively performed and recorded with over the last 10 years.

 In addition to playing alto saxophone, Bobby also plays soprano saxophone, alto clarinet, flute, and is a composer, arranger, and jazz clinician. Bobby Selvaggio is an Eastman Saxophone Artist and a Jody Jazz Mouthpiece endorser.

EPISODE 040 Chicago Music Revealed with Brandon Meeks

Mike Jeffers and special guest Brandon Meeks talking about his music, recordings, acting and much more.

 

About Brandon Meeks

 

Brandon Meeks is seeking to redefine how Gary, Indiana is only known as the home of the Jackson Family. The independent bassist, producer, arranger, and beatmaker is gaining steam in the crowded world of Jazz, Hip-Hop and R&B by choosing to follow his own path and ignoring the allure of popular trends.

Meeks’ professionalism and dedication to the craft of making music brought him to the attention of Don Cheadle. Brandon was cast in Cheadle’s 2016 directorial debut film, Miles Ahead—a movie about iconic musician Miles Davis. Brandon worked directly with both Cheadle and jazz artist Robert Glasper during the film’s production. He was chosen to play the character of legendary bassist, Ron Carter.

Brandon’s skill as a jazz bassist was a major reason he was chosen to be in the film and this has allowed him to reach an entirely new fanbase. He is now taking full advantage of his good fortune and capitalizing on this moment by introducing people to all of the work he has done that allowed him to gain ground in the industry.

Before Brandon was featured in Miles Ahead, he’s held the role of primary producer for the Indianapolis based Hip-Hop band Native Sun. Native Sun has been compared to The Legendary Roots Crew due to their use of live instruments in their performances and recordings. During his time with the band,  Brandon has created 2 magnetically soulful albums plus a series of sharp, compelling videos that have earned the attention of influential cultural tastemakers such as AFROPUNK and Team Backpack.

His efforts to share Native Sun’s music and build his audience has resulted in over 500 thousand views, 10 thousand shares and over 1 million people reached around the globe. What’s more amazing is that he has done this while also managing the band’s social media, his own social media and website and the creation of content that has made his website one of the more active and engaging platforms in indie music.

Brandon’s work with Native Sun is bolstered by his work with noteworthy jazz and soul artists. He regularly plays bass with Rob Dixon, The JD Allen Trio, Zo! of The Foreign Exchange, Sy Smith, Nicole Henry and is a part of The William Menefield Trio. Meeks also holds residencies at famed and historic jazz clubs such as The Chatterbox (Indianapolis) and Greenwich Jazz Club (Cincinnati).

EPISODE 039 Petra Van Nuis and Andy Brown

Blues in Chicago with Dave Katzman and an interview with vocalist Petra Van Nuis and guitarist Andy Brown.

 

About Andy Brown

 

Andy Brown is a guitarist based in Chicago. Born in New York in 1975, he has played professionally for over twenty five years. He has had a varied performing career that has included stints in Cincinnati and New York City.

Since coming to Chicago in 2003, Andy has been fortunate to work at many of the area's finest jazz venues with his own bands, as well as playing his unique brand of solo jazz guitar. He has backed visiting jazz names at places including The Jazz Showcase, Ravinia and the Harris Theater. Currently he plays solo guitar every Thursday at The Green Mill, leads his quartet every Wednesday at Andy's Jazz Club and performs with his trio bi-weekly at Winter’s Jazz Club.

As a sideman he has performed with internationally know jazz musicians including Scott Hamilton, Howard Alden, Harry Allen, Warren Vaché, Ken Peplowski, Hod O’Brien, Rebecca Kilgore, Judy Carmichael, John Pisano, Michael Feinstein, Anat Cohen, Kurt Elling and many others. He has also worked with many names on the Chicago jazz scene including Russ Phillips, Don Stiernberg, Chris Foreman, Eric Schneider, Bobby Lewis and Judy Roberts.

His love of great tunes, as well as accompanying skills have made him a favorite with vocalists. Married to frequent partner vocalist Petra van Nuis, Andy has worked with many of Chicago's finest singers. Andy also had the good fortune to accompany Barbra Streisand when she appeared on the Oprah Winfrey Show in 2009.

Andy has made many festival and club appearances around the world. Highlights include Dizzy’s Club at Jazz at Lincoln Center, the Chautauqua Jazz Party, the Chicago Jazz Festival, the Cleveland Classic Jazz Party, as well as festivals in Rio de Janeiro, the Netherlands, Germany and throughout the United States.

Andy has provided the music for a wide variety of parties and private events. In 2012, his trio was invited by the Chicago Mayor's office to perform for the Nobel Peace Prize dinner in Chicago where invited guests included U.S. presidents Bill Clinton and Jimmy Carter, as well as the Dalai Lama and Mikhail Gorbachev. Also in 2012, Andy's trio was hired by the U.S. State Department to provide music for the opening night gala at the NATO summit held in Chicago.

Andy enjoys being a member of several bands besides his own. He works often with vocalist Petra van Nuis, either in duo or larger groups, including Petra's Recession Seven. They have worked together all over Chicago and in venues throughout the country, as well as tours of Europe and Canada.

Since 2009, Andy has co-led a two-guitar quartet with renowned guitarist Howard Alden. In 2013, Delmark Records released a CD of the group entitled "Heavy Artillery" which received four stars in Downbeat magazine and was featured in their annual Albums Of The Year issue.

Andy plays regularly with jazz mandolinist Don Stiernberg's trio. They have worked at festivals in Germany and Brazil, as well as throughout the United States. He is also a member of trombonist Russ Phillips' group, both with Russ' Quartet and his Windy City All-Stars.

Andy has been featured on a wide array of recordings. As a leader, his latest is the 2016 Delmark Records release “Direct Call” which received four stars in Downbeat magazine. His previous Delmark release “Soloist” was his first solo jazz guitar recording and received warm reviews from critics and fans alike. 2015 marked the release of organist Chris Foreman's debut recording "Now Is The Time” which featured Andy on several cuts. In 2016, mandolinist Don Stiernberg released a CD titled “Good Numbers” featuring Andy on acoustic archtop guitar. Andy has collaborated on four CDs with Petra van Nuis, the most recent being their 2017 duet release “Lessons Lyrical."

Andy had the good fortune to learn directly from several guitar masters, including Cal Collins, Ted Greene, and Howard Alden. His most important mentor was the late Kenny Poole, who called Andy his protégé.

 

About Petra

 

Petra van Nuis (pronounced Pay-tra van Nouse) is a Chicago-based jazz vocalist who has been described in Downbeat Magazine as having "a light, gorgeous, and fairly delicate voice...a gift for melody and plenty of rhythmic confidence."

A Chicagoan since 2003, Petra sings at all the finest jazz venues in town including the Jazz Showcase, the Green Mill, Andy's Jazz Club, Winter's, Fitzgerald's, the City Winery, and the Old Town School of Folk Music. Chicago's Department of Cultural Affairs has presented Petra's groups at the Chicago Cultural Center and Chicago Summer Dance. The Jazz Institute of Chicago has featured Petra's Recession Seven band at the Chicago Jazz Festival and Jazz City. Petra has been interviewed and her music featured on Chicago's WGN for Rick Kogan's "After Hours" show and on WBEZ's "Morning Shift" with Tony Sarabia.

Outside of Chicago, Petra plays at jazz festivals such as the Cleveland Classic Jazz Party, the Roswell Jazz Festival and Joe Boughton's Chautauqua Jazz Party with such renowned musicians as Dan Barrett, Nicki Parrott, Ken Peplowski, John Di Martino, Dan Block, Scott Robinson, Frank Tate, Hal Smith, Rossano Sportiello, and Duke Heitger.

Petra's latest project, Because We're Night People, is a live recording of night-themed standards which was awarded 4 stars by DownBeat Magazine and included in their "Top Rated Albums of 2019" listing. Revered Chicago pianist Dennis Luxion blends his signature impressionistic harmony with Petra's lush vocals. This CD was re-issued in Japan on the Japanese label Muzak in October 2018 and was used as in-flight music on All Nippon Airways (Japan's largest airline) in January/February 2019.

Germany's Jazzpodium Magazine hails Petra's seventeen year musical collaboration with her husband, guitarist Andy Brown, as "a magical musical dialogue, which can only partially be described as blind understanding." Petra and Andy's romantic style has been enjoyed in intimate club settings around the country including Shanghai Jazz (Madison, NJ), the Kerrytown Concert House (Ann Arbor, MI), Night Town (Cleveland,OH), the Saugatuck Center for the Arts (Saugatuck, MI), and the Blue Wisp Jazz Club (Cincinnati, OH). Several European tours have brought the duo to Germany (Traditional Jazz Hall Stuttgart, Jazzhaus Heidelberg, Mampf Frankfurt, Le Pirate, Jazz Club Neustadt, Jazz Club 77, Musikhaus Birlkehof) to the Netherland's (Gorinchem Jazz Festival, Culuurschip Thor, Jazz Hall 72, Stichting Jazz Zevenbergen) and to Belgium (Jazz Cafe Hopper). With the re-release of the duo's 2017 CD Lessons Lyrical and their 2009 CD Far Away Places on Japan's Muzak label, Petra and Andy continue to spread their swinging sounds far and wide.

Petra and Andy often augment their duo with bass and drums forming the Petra van Nuis/ Andy Brown Quartet. In addition to Chicago performances, the quartet frequently tours the Midwest having played for the West Michigan Jazz Society (Grand Rapids, MI), Polyrhytms (Davenport,IA), the Firefly Jazz Club (Ann Arbor, MI), the Wilson Center for the Arts (Milwaukee, WI), the Detroit Institute for the Arts (Detroit, MI), and headlined the 32nd Michelob Women In Jazz Festival (Dayton, OH).

At the start of the Great Recession in September 2008, Petra's Recession Seven, a Chicago-style early swing/trad jazz band was born at Chicago's legendary Green Mill. This seven piece ensemble features an all-star line up of internationally known Chicago veterans including trombonist Russ Phillips, reed man Eric Schneider, and trumpeter Bob Ojeda. Festival appearances include the 32nd Elkhart Jazz Festival, 33rd annual Chicago Jazz Festival, the 34th, 35th, 37th, 40th and 42nd annual Cedar Basin Jazz Festival, Fitzgerald's 29th annual American Music Festival, the Juvae Jazz Society's 25th anniversary Festival, and the Illiana Club of Traditional Jazz's 40th anniversary Jazz Festival. The band regularly travels to regional jazz societies such as the Madison Jazz Society, the Starr-Gennett Foundation, the "Masters of Swing" series at Cincinnati's Xavier University, the Lafayette Jazz Club, and the Indianapolis Jazz Club. The American Rag, in a review of the band's 2011 on location recording Live In Chicago praises "a killer of a band that grabs your attention and doesn't give it back until they are finished playing."

You may have heard selections from Petra's 2006 debut CD A Sweet Refrain on digital cable's Music Choice, where it regularly rotates on the "Singers & Swing" channel. In a review, Los Angeles Jazz Scene critic Scott Yanow notes "a sweet voice, a straightforward delivery....one hears touches of Billie Holiday, Blossom Dearie, and Mildred Bailey in her phrasing, but not in the sound of her voice which is distinctive." This CD is a throwback to the classic vocal recordings of the 50's with a blend of duo, quartet, quintet, and tight two-horn sextet arrangements by bassist/arranger Joe Policastro. In 2012, these arrangements were recreated with the teaming of Petra and Andy with four Canadian musicians at Edmonton's famed Yardbird Suite. In 2015, two songs from this CD were selected by famed Japanese jazz writer/historian/record producer Yasukuni Terashima to be included in the compilation CD For Jazz Vocal Fans Only on the Japanese label Disk Union.

Petra continues to play with Chicago's finest instrumentalists including Bobby Lewis, Art Davis, Kim Cusack, Larry Harris, Greg Fishman, Chris White, Joe Adamik, Joe Policastro, Bob Rummage, Andy Schumm, Jeremy Kahn, Judy Roberts, Phil Gratteau, Don Stille, Dan Delorenzo, Tom Bartlett, Mike Schlick, Bill Overton, Bradley Williams, Ron Dewar, John Otto, Stewart Miller, and Don Stiernberg.

EPISODE 038 Chicago Music Revealed with Wayner Powers and Brett Dean

Mike Jeffers and special guests Wayne Powers and Brett Dean from the Shout Section Big Band.

About Wayne Powers

Wayne started out as a “boy singer” in New York nightclubs at age 16.  “I wasn’t very good,” he freely admits, “but you’ve gotta start someplace – and I grew up with this music inside me – in my heart and soul – and treasure it enough to gladly do whatever it takes for me to live inside the music.  You see, when I was growing up we couldn’t afford a piano (and we had no room for one, anyway). so I just learned to play the human voice.”

 

Persistence paid off as Powers eventually studied in New York with renowned  vocal coach of the day, Fred Steele, mentor to Steve Lawrence & Eydie Gorme, Eddie Fisher and widely credited with helping restore Tony Bennett’s voice.  Wayne continued to hone his craft,  performing in stage musicals, reviews and in nightclubs after relocating to the Midwest – and eventually, the West Coast.

 

After arriving in L.A., Wayne landed a job with Henry Mancini and, soon after, fulfilled another dream by establishing his network TV career.  But Powers was still pulled to return to his roots, augmenting his comedy and acting work by putting together his “Hoi Polloi,” band with a uniquely joyous sound that dazzled audiences in some of the top west coast nightclubs, showrooms and jazz festivals.

 

The sound was reminiscent of Louis Prima, “Fats” Waller, Louis Armstrong and others who were among Wayne’s major musical influences in creating this unique band.  They released one CD, “Plain Old Me.”

EPISODE 037 Chicago Music Revealed with JD Walter

 

Mike Jeffers and special guest vocalist Jd Walter talking about his new recording "Dressed in a Song" where he performs with 6 of his favorite piano players and mixture of original compositions and well known songs. JD also discusses how he developed his sound and improvisational style at the UNT College of Music and studying with Deborah Brown. Thanks to the Epiphany Center for the Arts.

 

About JD Walter

A native of eastern Pennsylvania, JD Walter’s past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide.

After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter’s recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings.

While recording his most recent album, “Dressed in a Song,” a life-threatening health scare and subsequent heart and vocal cord surgeries kept Walter out of the studio and off the road for several years.

The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens.

Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy’s Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues.

He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum.

Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow.

EPISODE 036 Chicago Music Revealed with guest Bear Williams

About Bear Williams

In 1976, I attended the funeral services of "Howlin Wolf" at the A.R. Leak Funeral Home in Chicago.  I was just 17 but it was a very impactful moment in time for me. I was just deciding at that time what I wanted to do with my life and I just knew soon after that chance encounter with the late legend that music would indeed become my life's passion. 

My high school band director, Mr. George Hunter was the teacher that urged not only myself, but all of my classmates to attend this homegoing service. Mister Hunter didn't let us know who the artist was, but what he did say was "All of you need to go up to Leak's funeral home after school today and pay your respects to a giant in the music industry." I think the seeds of the Blues were somehow planted in me that day.

Throughout my long career I've played many styles of music from Rock to Soul to Jazz to Country to Reggae to Pop. But I must admit, that the one music that brings me the greatest joy inside my soul is that of the Blues and Americana roots genre. Perhaps it's the simplicity and rawness of the music coupled with the complexity and raw emotion of the stories that grabs me and just won't let go. The great B.B. King once said that, "The Blues is soothing to me, just like if someone had a toothache and a dentist gives them some medicine to stop the toothache." That's what the Blues meant to B.B. and I can agree with him wholeheartedly. 

My new project, "Waters Of Love" is the beginning of a brand new journey in music for me. Its a path that I am extremely proud and excited to be traveling upon. If you're a fan of Blues and Americana Roots music, then won't you come along on this journey with me? I know that we'll have a ball together!